By immersing herself in this space, Caroline Cornélis and her interpreters question the matter that is nested there.
Spontaneously, many components of the playground appear as valuable choreographic fuels: the game, relationships, asymmetries, relative anarchy, issues of power and domination, animality that sometimes wakes up in children, in the interactions that allow - or that imposes - the recreation.
With 10 :10, the choreographer relies on this reality, concrete and familiar, to bring the viewer to a poetic and sensory experience. The latter prolongs and transforms the imaginary.
Mention of the jury at the Rencontres de Huy 2018: For the Clarity of Choreographic and Musical Dialogue.